For those in the UK, a documentary I worked on last year - The Hero of Herculaneum - part of the Mummies Alive series is on, on Monday 8 June at 2100. Enjoy.
The Antonine Wall is the northernmost boundary of the Roman Empire. An exercise in military engineering nearly 2,000km from Rome, it was designed and built explicitly as an example of the might of Emperor Antoninus Pius. Though half the length of Hadrian’s Wall, its southern ancestor, it deserves recognition not only as a high water mark of the Empire, but as a marvel of engineering in its own right.
Today’s military engineers receive their training largely through university degrees, often at military-focused schools such as Norwich University’s school of civil engineering. Not so the Roman military engineer, part of the legion’s immunes class. Raised from the munifex classes (rank and file soldiers), the engineers who built Rome’s far-flung network of roads, fortifications, and many of its more distant cities (a means to keep them busy and productive during times of peace) learned on the job.
For the Roman engineers who built the Antonine Wall, their on-the-job training involved a gargantuan project. The wall was far more than simply a pile of rocks or a mound of dirt. The wall was a complex made of numerous elements. These all played together to create a substantial networked defense, one sufficient to provide Rome some of its last victories before it began the slow decay that would culminate in the departure of the Empire from Britain some 200 years later.
The most obvious and important structure in the Antonine Wall is, of course, the wall itself. The wall may have originally been intended to be a stone wall, similar to Hadrian’s Wall. If so, this plan changed before any significant work took place, as only the foundation of the wall was made of stone. The rest of the wall was an earthen work structure.
The stone foundation of the wall was five metres across and roughly half a metre deep. The stone was more or less jumbled rather than being fitted stone, with regularly spaced culverts along its length. This allowed for quick and easy drainage of water at the base of the wall, helping reduce the odds of the wall becoming waterlogged and collapsing or eroding away.
On top of this base the wall was built of earthen materials. For three-quarters of the wall’s 63 km length the principle material for this was turf. The roots spread throughout this soil made it inherently cohesive, allowing a very steep structure to be formed. The remaining sections of the wall were made of less suitable clay and soil which has not withstood the test of time.
The wall rose three metres into the air with a 70° slope on both faces. This left a flat top not quite two metres wide. Though no accounts confirm this, it is likely that this would have held a wooden walkway and solid wood fence to protect soldiers manning it.
Beyond the Wall
North of the wall stretched a narrow space of relatively flat land (depending on local terrain). This would be riddled with deep pits, forcing attackers to slow down and weave around, breaking up the momentum of any assault. These pits ranged in size from only large enough to capture and snap a leg to being large enough to swallow several people.
Forming an outer boundary to this dangerous terrain in most places was a very deep ditch or moat. While there are some indications that the ditch could be flooded at need, in most cases it likely would have remained dry. Dry or wet, this ditch would have been a substantial impediment. The exact distance between the wall and the ditch varied, as did the width and depth of the ditch itself. But on average the ditch was 12 metres wide and four metres deep.
The detritus created by the digging of the ditch was flung out to the north. This created a low berm that was insufficient for attackers to hide from Roman missiles behind, but which still would have required an assault to climb up. It also artificially increased the depth of the ditch.
The landscape itself formed a part of this defensive structure. The Antonine Wall was built on the south slope of the valley formed by the River Carron and the River Kelvin. The land around these two rivers was substantially boggy, inhibiting the movement of any force preparing an attack upon the wall.
Behind the Wall
Immediately behind the Antonine Wall, the Roman military engineers built a series of fortified camps. The most important of these camps, spaced 3.3km apart, were substantial in size. They contained administrative offices, barracks, warehouses, armories, bathhouses and all the other necessities for a garrison. In some cases, civilian towns would have formed alongside of these forts, housing civilians who had either married members of the garrison or who were engaged in trade in the region and took advantage of the safety provided by the Roman presence along the wall.
Smaller fortlets were also built along the wall. These lacked amenities, but provided sufficient housing to allow small garrisons immediate access to every part of the wall, and an immediate defense to be mounted long enough for reinforcements to arrive.
Finally, the Roman engineers created a military way behind the wall. This Roman road was built explicitly as a means to move troops and supplies behind the safety of the wall. In most areas this road consisted of a layer of gravel and small stones over a bed of larger stone. In more heavily trafficked zones, cobblestones would replace the gravel. Regardless of the surface material used, a slight slope drained water away from the road, keeping it from becoming flooded or muddy. All trees and bushes between the wall and an area a considerable distance south of the way were cleared to ensure that ambush was impossible.
The Mathematics of the Antonine Wall
The sheer volume of both manpower and materials the Roman military engineers had to move and use to construct this northernmost bulwark of the empire is staggering to consider. The Antonine Wall is 63km long, running from the Firth of Clyde to the Firth of Forth. Behind the wall they built 19 major forts and numerous smaller fortlets. The military way stretches the entire length of the wall.
In order to accomplish this, the Romans employed three legions, the II Augusta, VI Victrix, and the XX Valeria Victrix. The typical legion was nominally 5,000 men strong. This means that as many as 15,000 men may have been available to construct the wall, although most estimates state that at most 7,000 would have worked on the wall at any given time. Work would have taken place largely during the summer, when the weather was sufficient to permit construction. The work began in AD142 and ended in AD154. At a rough estimate this means the engineers would have used somewhere between 100M and 200M man-hours of labour.
During this labour, the legionaries employed to build the wall would have moved more than 1B kilos of stone in order to form both the 4.5m wide base of the wall and the military way that runs behind it. Another 1B kilos of turf, clay and dirt were shifted to dig the ditch and build both berm and wall. 252km of lumber was needed to form the walkway and wall along the top which required more than 3,000 trees to be felled.
Once this massive effort was completed, the Antonine Wall was garrisoned by around 6-7,000 men, mostly Roman auxiliaries. The wall was abandoned after less than two decades, though it would be re-occupied for another three years around AD208. In spite of its short tenure it clearly did serve its purpose. At least three of the forts along the wall show clear evidence of having come under heavy attack, probably during the Pict attacks of AD158, four years before to the withdrawal back to Hadrian’s Wall.
Jim Hinton is a combat vet and armchair historian. You can follow him @jamiemhinton
Novels about the Battle of Teutoburg Forest – the battle in AD9 where three Roman legions under Public Quinctilius Varus were wiped out by a coalition of Germanic tribes under the rebel Cheruscan leader Arminius – do not have an especially glorious history. This is thanks primarily to European politics. Around the time of the Franco-Prussian War, Arminius became co-opted into current German political nationalist thinking.
Between the end of World War I and the beginning of World War II, more than thirty novels about the battle were published in Germany, virtually all of them using the words “liberator”, “hero” or “the first German” somewhere in the title.
They were for the most part dire on every level. German pre-history had become the “Old Testament of the German people”. Archaeology was a direct political tool and what lay at the core of the Nazi attraction to Arminius was less his opposition to Rome and more Tacitus’ comments on German ethnicity.
Since then, modern writers have tended to leave the battle alone. Even the anniversary of the battle in 2009 saw few attempts to fictionalise the conflict. Writers who have touched on it – Lindsey Davis and David Wishart to name two – have the disaster in the background. Until now that is. Ben Kane’s Eagles at War is a hugely enjoyable and much-needed retelling of the story.
There are two specific challenges for any writer who attempts to retell the story. First and foremost are the characters of Varus and Arminius themselves. One of the (many) reasons that Arminius became such a useful political tool is that he and Varus are ciphers. Their personalities have left little imprint on the historical record, which means that authors have been free to see them as they want. All too often this means that they have been reduced to goodies and baddies.
What makes Kane’s novel stand out from a historical point of view is that he has brought nuance into the game. There are varying shades of grey. What is specifically praiseworthy is that Kane does not portray the Germanic tribes as in any way either unified or with the same agenda. Arminius, in his account, is not a messianic figure trying to protect the German people; he is a very modern political leader trying to bring factions together.
Nor is Varus a buffoon. All too often the commander of the Roman legions in Germany is still seen as a hopeless and incompetent clown. This is ridiculous for a man who had served the Roman empire successfully and honourably for many years, and was related by marriage to the imperial family. Kane’s Varus is a man who makes a wrong and fatal mistake.
The other significant problem for any writer who looks at the battle is that of motivation. Rather inconveniently from our point of view, no classical author shows any awareness of knowing what it was that Arminius was trying to achieve with his revolt. It is this that allowed some twentieth century historians to run free with their fantasies of a nascent Germanic empire. But again, Kane is elegant and plausible in his psychological portrayal of the man.
It says much about Kane’s skill as a writer that the book is scattered with Easter eggs – treats for classical readers who know what they are looking for. Many of the actual artifacts found both on the battlefield and at Roman camps along the Lippe get a mention, but it is done in a subtle and clearly affectionate manner.
For fans of Simon Scarrow and Robert Fabbri, I would wholeheartedly recommend Eagles at War. In the meantime I will be waiting with bated breathe to see what happens next to Lucius Tullus.
[Full disclosure – Ben very generously thanked me in the introduction to Eagles at War for my help, which, as far as I recall, involved passing on a couple of off-prints and answering a couple of emails]
Pliny is all well and good, but I confess that I have always found it difficult to visualise what it must have been like to watch Vesuvius erupt. There are, of course, the news reports of Vesuvius in 1944 (this Pathé report is splendid) but the fact that it is in black and white distances.
The current eruption of Calbuco in southern Chile brings it home rather forcefully. The photographs in this Independent report show exactly what a blanket of ash looks like: the boat half buried in the town of Ensenada (Reuters) is reminiscent of the boat found in Herculaneum, and it is not difficult to look at the buried entrance of a house in Puerto Varas (AP) and see Pompeii. And any doubts about Pliny's description of an umbrella pine are dashed by the images in this CNN report.
I have been meaning to mention this for days, but Mike Bishop is running a brilliant series on Hadrian's Wall - everything you ever wanted to know. It starts here with "When was Hadrian's Wall Built". It is a must read.
It is easy to become cynical about what appear to be numerous new plans for the Antonine Wall especially with the dreaded phrase "five year plan". There is an inevitability to the way that these projects fade away. But councils appear to be getting serious this time. I posted at the beginning of March, for example, about the Antonine Wall app. There was an article in yesterday's Linlithgow Gazette:
New signs, better interpretation – and possibly a national trail along the Antonine Wall – are some of the ideas being proposed by a five-year action plan for the World Heritage Site.
Falkirk Council’s executive also gave the green light to building relationships with staff on Hadrian’s Wall and bidding to attract new external funding into the Scottish site, which dates back to 142AD.
The first Alderney Literary Festival takes place next week. For those who are able to come, I will be speaking about Herculaneum: "Bringing the Dead of Herculaneum to Life," on Saturday, 21 March at 1530.
I will also be speaking the following day, on Sunday, 22 March at 1400 with Tom Holland and Simon Scarrow at a panel discussion called "Blurring the Boundaries: the Problem of Truth in Historical Literature".
The festival promises to be a great deal of fun. I look forward to seeing you there. The programme is attached as a pdf. Download Printed programme 1A
Interesting news from Historic Scotland about the launch, in April 2016, of an Antonine Wall app. It will use augmented reality to help visitors visit the site. The technology draws on the Bavarian museums service, which created an earlier similar app in Germany and which allows visitors to access information on two parts of the Roman frontier in Bavaria.
The Antonine Wall app will draw on 3D laser scanning work carried out by the Scottish Ten Project, along with new scans and interactive 3D models of museum artefacts taken from the Wall, to give visitors a better idea of how points of interest such as the fort at Rough Castle, or the bath house at Bar Hill, would have looked when the Wall operated as a frontier.
Content will be commissioned and developed by Historic Scotland and the five local authorities along the line of the Wall: East Dunbartonshire, Falkirk, Glasgow City, North Lanarkshire and West Dunbartonshire Councils. The intention is to work with local museums to scan artefacts from the wall in order to create an accurate representation of what life was like, which visitors will be able to experience first-hand.
The full press release is here.